Introduction: במהלך חודש מרץ התכנסו המשוררת ואמנית הרחוב ניצן מינץ נצר למשפחה ותיקה בעיר ואמן הרחוב UNTAY שהגיעה אל העיר לפני שנה וחצי במגרש חניה Ingres onion picturesque neighborhood of Venus, After tax’ שיחות שקדמו לפגישה שהביאה ליצירת מבנה לעבודה משותפת על קיר שכאילו נועד ליצירה במימדים ובתפאורת הצמחים המטפסים ויחד שילבו שיר ודמות, בעבודה משותפת זאת UNTAY יצר דמות של אדם שלא כהרגלו בעבודותיו ליצור דמות בעל חי ש”Not a judge” As defined in conversation with me, Rare to see a human figure in his works, The song was placed as opposed to writing Hszifit of letter handwritten or stencil, Nitzan breathes every word and here, Seems pasted text written song instead of the word small papier, Individual words it is more development work bud technique. The result is spectacular and a perfect connection, Work we see in fact a portrait of the artist who keeps to himself internal process through bud's embroidery lyrics, The text in the body begins the description “Face are the geese”, Just exit the text analyzes the character's emotional state “Many lemons were the cheeks and the crease as if he said that does not stretch enough” The text in fact is “Song Poem”, Partly woven into the lining of the male figure and the image that comes at a glance is a womb, Or a curve and veins and part is sent into space from a character vomits and mentally and physically torn, Doubt agonized figure, Provider trusts, Assertive and well-built, מנהלת מונולוג אישי שמתחיל באמותיו עד ליציאה אל המרחב לכדי דיאלוג. Artists interactive interview numbers, What is the work and the connection between them.
Why Tel Aviv?
Nitzan: Tel Aviv because it is the city where I grew up with. I have loved the city, Moreover, the central city in Israel with regard to recreation and culture, Which can be an excellent exhibition space for artists to work many street.
UNTAY: I moved to Tel Aviv last year and a half and I'm concentrating all my work now in its environment.
What made the connection between you?
Nitzan: Actually we met through each other's art on the street. Ferghana Boaz on his work, And made contact. We would talk every now and then, And one day we decided to make cooperation. We met and thought about ideas, I'm on a special text, And is the character and structure. We sketch and selection, A few days later we went out to the street.
UNTAY: I saw countless works of bud through Facebook and interest me who she is and how it works, Besides the combination of poetry written in the painting is not common today in art, The more so in the street, So it was a challenge, Contact me and see what can be done.
But reaching this location I?
Nitzan: The location I found when we looked for the figure. We Noga compound and showed him the specific spot to ask if he likes it. We both agreed immediately that it is the most beautiful spot we've seen so far in the tour, And we started working.
UNTAY: We made a detour Cycling in South of the city until we reached the parking lot there, When we saw him we knew that we're settled there, That spot higher than we planned and had something interesting to the flower-covered concrete wall that.
What happens there?
Nitzan: Work showing a man in his digestive system is exposed. He vomits words. Words trailing him through the gut and spill vomit through the esophagus. The text speaks of examining the appearance of man himself. He talks about the fear of old age, The flaws in beauty, Physical and genetic inheritance. We wanted to vomit cell character of its own self-image.
UNTAY: I painted my references and figure that I know, So that was easier for me, I avoid other people than drawing, If this man T'cls, So now I use only my reference tube forward.