Maya Gelfman, Daughter 33. She lives and works in a small tree in the heart of”A, With dog, Two cats and a spouse of.
Presented her work at the Museum of”A, Haifa Museum, Herzliya Biennial and galleries in Israel and abroad”To. בתחילת השנה קיימה את תערוכת היחיד השנייה שלה.
אל הבית הסקנדינבי בעל שלושת המפלסים והגינה הציורית שהם למעשה הבית והסטודיו של מאיה ושל בן זוגה רועי ברחוב לב תל אביבי שהוא ציורי וקסום בפני עצמו, I already knew the subject of the post will concentrate on the house is actually her studio. I arrived at the house in event “See art like art” Held last weekend, Home is a story in itself should be displayed at the event another city “Houses from Within”, Level at any point and we have the Maya and the creation, Kitchen frame with gear system, Red wool yarn wrapped around a red woolen heart, Living room on the wall at a height of five feet, Sleeve round of industrial air spilled from a ton of red wool yarn and piled on the floor and of course the bottom Integrated Red Heart, Industrial sleeve on the ceiling wall sculpture becomes, Ordered sets of studio work presented in different locations, שולחן העבודה הענקי שלה וסקיצות, In fact the whole house is a gallery in itself, In between scene began to mask pain measurement trendy boxy Andy Warhol and her fate would red stripe around, But the strong feeling of the experience is a pleasant home, Visitors to some lovely neighbors and excitement continued to occur and, Garden cats and Max, Final dog, For me it was an opportunity to recognize the Maya and her art, I was exposed to many aspects of Maya as creating and making it very fascinating, Maya recognized the series”Attention!” On, You can see them on every street corner, Street art side is, Next to a house or garden, Beside a monument or architectural structure, Or alongside urban scar, It can be sticker, Framework of a shoe box, And it Heart red wool yarn, Frame or a shoe box and a gear pulled a red woolen thread, Unsigned first jobs, Project which should be brave, Because it gives the urban space and others formed from elements.
Why Tel Aviv?
Tel Aviv has the hot corner and most beloved Libby's urban area. I am fascinated by this intense microcosm centering pass and flooding stream of rapid changes, Geographical, Architectural, Social and human. Pulsating rhythm and its constant leaves traces and remains in the streets. I relate these traces and responsive project “Attention!”
Is a modern metropolis but also feel like a large neighborhood. I love that you can see the history, Different people, Cultures, Ideals built it, Density mixed together.
This significant act for me. Way to send a message, Reach people and hopefully touch, Direct and direct. Street works will not get you, Without the prior knowledge and coherent view. There is freedom without a frame but rich contexts that vary with the wall and the street, People, Time, Weather, Mood. Meeting points can occur in connection with the viewer walking on a sidewalk or no. No manners required in class, No inhibitions. This coincidence allows discussion discharged the thoughts and feelings of passersby and the creation.
I have an innocent and rational need both to find small moments, Intimacy in. To draw the viewer's eye wanders. Try to create a minute, Island, Of observation, Where there is awareness of what surrounds us. Momentary retrieval hectic race and deliberate purpose.
When I work in gallery owner / museum I was in a much clearer, Which contexts are “Sterile” More, Naturally, And increased focus provides a different challenge dealing.
Your working technique includes the red color theme, Red wool yarn, Frame which is actually higher margins covered box, Gears and industrial air hoses. You can make order?
The choice to work with everyday materials, Industrial and”Readymade” Stems from the need for a direct connection.
Directly, Honesty and accessibility that use”Simple” And”Recognized” And make them high art. I'm fascinated by the search for depth, Emotion, Aesthetics, Internal logic hidden and unspoiled fixation, New meaning everyday and almost self-evident. I'm experiencing the process as a reflection of life. For me, these materials are external and internal organs of the nature of, Existence, Questions, Elections, Actions.
What represents red heart on almost every street and studio work?
Heart first appeared in a series of paintings that began in 2007 Called, Not to, “Red Heart”. Heart series was my nature symbol, Soul. He was carrying a bag of tools emotions, Principles, Beliefs, Hopes become realized or dashed, Dreams, All drives and breaks us. I spoke with this heart, I struggled, I, Held, I turned and I ran. Out of it grows and opens and wanted to get out.
I wanted to highlight the choice to feel and see. Spread the pulsing effect that exists in me when I really noticed, Myself and others.
Every time I try to soak up the unique atmosphere of a particular day, Time, Place. Let your eyes wander, Seeking information and pieces of reality. I motion “Frame”. Complete contrast frame – Impossible, yet natural – Between the beautiful ugly, The painful delight, The noisy silence.
The streets are breathing textures of neglect and Care. They are three-dimensional public space, So it seems right to speak the same language and tangible. I used red wool thread intuitively. It has physical warmth, Delicate fleshy. I took off at the pencil on the walls and rust fabrics.
Thank you Maya
Maya Gelfman Website, Should recognize